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The Tortoisean Archetype: A Theory of Satire in Nigerian Drama

dc.contributor.authorAdeoti, Gbemisola Remi
dc.date.accessioned2014-08-26T11:47:27Z
dc.date.accessioned2018-10-27T14:59:20Z
dc.date.available2014-08-26T11:47:27Z
dc.date.available2018-10-27T14:59:20Z
dc.date.issued1998
dc.identifier.citationAdeoti, Gbemisola Remi (1998) The Tortoisean Archetype: A Theory of Satire in Nigerian Drama. The Literary Half-Yearly, 39(1)en_US
dc.identifier.urihttp://localhost:8080/xmlui/handle/123456789/2667
dc.description.abstractThis paper attempt to stimulate literary discourse in the direction of a theoretical investigation of satiric drama by Nigerian playwrights and make certain suggestions, which will serve as starting step: towards a theory of satire in Nigerian drama. This will be done, taking due cognizance of the wide variety of Nigerians' indigenous cultural artistic experience.en_US
dc.language.isoenen_US
dc.subjectSatireen_US
dc.subjectNigeria dramaen_US
dc.subjectArchetypal constructen_US
dc.subjectAnatomy of criticismen_US
dc.subjectAchetypal patterns in poetryen_US
dc.subjectTortoisean archetypeen_US
dc.titleThe Tortoisean Archetype: A Theory of Satire in Nigerian Dramaen_US
dc.typeArticleen_US
dc.coverage.geographicalNigeriaen_US
dc.departmentEnglishen_US
dc.facultiesArtsen_US
dc.format.filetypePDFen_US
dc.pages.totalpages19en_US


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