Satire in Modern Nigerian Theatre: A Historical Exploration
dc.contributor.author | Adeoti, G. R. | |
dc.coverage.geographical | Nigeria | en_US |
dc.date.accessioned | 2014-08-22T12:35:54Z | |
dc.date.accessioned | 2018-10-27T14:59:25Z | |
dc.date.available | 2014-08-22T12:35:54Z | |
dc.date.available | 2018-10-27T14:59:25Z | |
dc.date.issued | 2000 | |
dc.department | English | en_US |
dc.description.abstract | Satire is a literary mode usually taken as a brand of comedy. But like Proteus, the ever-changing Greek sea-god, it has flexibly assumed various artistic shapes and forms and has found expression outside' the territories of literature, in sculpture, painting, cartoon, cinema and music. Thus, it has earned a separate identity worthy of scholarly attention. | en_US |
dc.faculties | Arts | en_US |
dc.format.filetype | en_US | |
dc.identifier.citation | Adeoti, G. R. (2000). Satire in Modern Nigerian Theatre: A Historical Exploration. Ife Studies in Literature and the Arts, 1 & 2. | en_US |
dc.identifier.uri | http://localhost:8080/xmlui/handle/123456789/2670 | |
dc.language.iso | en | en_US |
dc.pages.totalpages | 12 | en_US |
dc.subject | Satire in Nigerian Theatre | en_US |
dc.subject | Satire | en_US |
dc.subject | Satire in the modern theatre | en_US |
dc.title | Satire in Modern Nigerian Theatre: A Historical Exploration | en_US |
dc.type | Article | en_US |
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